“It seems therefore that, in our age, modern music has developed along similar lines in countries geographically far away from each other. It has become rejuvenated under the influence of a kind of peasant(farmer)music that has remained untouched by the musical creations of the last centuries”-Bela Bartok Can we use live electronic as a compositional method for the renewal of folk music? Here is presented the third composition of a series of four studies in which the composer tries through rural musical material and electroacoustic compositional methods to generate a particular renewal of folk music. This third study is exposed through a trio of flutes interpreting Hungarian and Bulgarian folk melodies that are intertwined with sounds and effects programmed through computer music.